Postmodern Remix of Beckett’s Endgame Finds New Absurdity in Argentina

Pin de Fartie review – spoonerist remix of Samuel Beckett’s Endgame finds fresh absurdity in Argentina

Beckett’s masterpiece is given a postmodern cinema slant, with characters in different locations, music and humour in a free and fanciful interpretation Remember remixes? Where you take a song and swap out parts of it with new or pre-existing material, changing it just enough to be still recognisable? Argentinean director Alejo Moguillansky applies this quintessentially postmodern aesthetic to film with a funky cinematic remix, or even series of remixes, of Samuel Beckett’s one-act play Fin d...

By Leslie Felperin