Chris Carter, creator of "The X-Files," explained how he got the opportunity to create a director's cut of the 2008 film "The X-Files: I Want to Believe," a version that has drawn critiques for not improving the original.
Chris Carter, the creator of 'The X-Files', has reacted to the news that Ryan Coogler's reboot of the series has wrapped filming, expressing his hopes for the future of the new iteration.
Almost 20 years after its original release, Chris Carter's intended director's cut of 'The X-Files: I Want to Believe – Vrach Frankenshteyn' premiered, coinciding with Ryan Coogler's reboot plans. A new review assesses whether the director's cut changes previous perceptions of the film.
This month's crime novel and thriller recommendations include 'Hide and Seek' by Chris Carter, 'The British Agent' by Simon Conway, 'Desert Heist' by Alex Dekker, and 'In the Killer’s Sight' by Mike Omer.
Filmmaker Ryan Coogler, an Oscar winner for best screenplay, is set to shake up Chris Carter's 'X-Files' universe by introducing new successors to the iconic characters Mulder and Scully.
Writer/director Chris Carter has confirmed the R-rated runtime for the new 'The X-Files' movie and explained the decision to cut certain original scenes.
Almost 20 years after its original release, Chris Carter's intended director's cut of 'The X-Files: I Want to Believe – Vrach Frankenshteyn' is set to premiere on Disney+ and Hulu, coinciding with Ryan Coogler's reboot plans.
A new R-rated director's cut of the second X-Files movie, helmed by Chris Carter, is slated for release on Hulu next month and will feature a surprising new title.
Filmmaker Chris Carter has discussed his new R-rated director's cut of the 2008 movie 'The X-Files: I Want to Believe,' explaining how he adjusted the romance and increased the gore.
Original 'X-Files' creator Chris Carter has seemingly indicated that Gillian Anderson will reprise her role as Dana Scully in the next installment of the sci-fi franchise.
The X-Files franchise is gaining renewed attention with Chris Carter's darker director's cut of its biggest flop preceding Ryan Coogler's reboot, hoping to fix past financial disappointments.